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The Practice and/or The Tool: Journalism and Blogging

Mary Hodder with a view from BloggerCon in Boston posing some interesting questions on journalism and blogging. Quite a witty post. 🙂

Journalism and blogs are the karass and the granfalloon. They need each other, but can we please please please stop talking about either/or or and or but or if? As if? Really. I’ve had it. Get over it.

I realize there are lots and lots of people that don’t know what a blog is, so fine, give them the five minutes to catch up. Here it is: new posts go to the top, time date stamp, aliveness and linking. Flexible personal publishing. Maybe a little conversation. Maybe not. Okay then. Disintermediating as hell. Uncontrollable granfalloon. Do we have to talk again about whether blogs are staying, jacked up on the rant as they pull down the pants of the Big J, wrecking that perfect karass that still wants to bath us in our favorite celebrity porn or everybody’s premiere-content but-we’re-behind-the-firewall-and-therefore-unlinkable paper. Little b is just a fccing tool. BTW, in case you’re wondering, this is a blog. Yes, folks, Napsterization. Just a blog. In case you were reading this and didn’t know. But frankly it could just as well be done with some other tool. The point is, now our tools (and practices) are about interchangeable parts and air-compressor nail-guns instead of handmade hammers and nails. Interchangeable digital media that reduces everyone to 15 bytes of fame and poke in the eye all at once. Get used to it.Now.

Journalism and the Washington Times

Kevin Drum with an interesting memo sent to the staff of the Washington Times. Heavy stuff indeed.

To: Everyone in the newsroom
From: The Managing Editor
Re: Corrections in the newspaper

This newspaper has an obligation to its reader to run corrections when we make a mistake. We need to hold ourselves to the same high standards that we expect of those we cover. I thought this point was made very clear by the senior editors at our last editorial retreat, but apparently I was mistaken.

Now our newspaper is the subject of ridicule in this week’s City Paper for failure to correct some very obvious mistakes we made.

….All mistakes require corrections. If you have a question about what constitutes a correction, ask your desk editor or ask me or ask the senior editor in charge at that particular time.

Desk editors, to repeat what you were told at the retreat: You must keep a record of all corrections, including the reporter and editor involved, and how the mistake was made. This log should be used in preparing annual personnel reviews….Too many corrections from any reporter or editor will have employment consequences.

Facts about Proof

If I was you, suicide would be a way of life. If you was me , you’d kill you.’

(Proof)

Before I start talking about D12’s gifted Mc Proof, I would like to thank and to give credit to the webmaster of the following Dirty Harry website for the rare info I found about Deshaun Holton aka Derty Harry aka Proof:

http://angelfire.com/bxc3/dertyharry/main_bio.html

Deshaun Holton aka Proof was born on October the 2nd 1975 in Detroit. Although they didn’t attend the same High School, Eminem and Proof have been friends since 1988. They used to live in the same street in Detroit. Proof used to go to Osbourne High school while Eminem was attending Lincoln High. Both friends used to skip high school in order to rap together: in fact Eminem skipped Lincoln High and used to come to Proof’s school very often, because both friends wanted to rap together. This is how they met:

I was skipping school, and he was skipping school also, passing out flyers for his concert he was having in Centerline. That had to be, like, ’88 or something.’

(Proof)

Some (white) underground Mcs from Detroit like Backstab the Kingpin are convinced of Proof’s racism. But Deshaun’s statements seem to prove the contrary.
CDNow has asked Proof how he felt about Eminem’s skin color at the time they met:

CDNow: Did you wonder what this blond, white kid was up to?

Proof: You know, I went to Catholic school and had a great, great friend of mine who happened to be Irish; we were best friends since the sixth grade. So when I saw [Eminem] was white, I didn’t even jump off like that; when he rapped, he was dope. What made us get dope and become great friends was we both rhymed “first place” and “birthday,” and we’ve been tight ever since [laughs]

Eminem and Proof have been real friends since the beginning. When Eminem was kicked out of his home, he would sleep at Proof’s house. It is well known that Proof is an amazing freestyler. He won the freestyling competition in the Source magazine in 1999. He his a better freestyler than Marshall, but Marshall’s force is in the way he handles his words in his lyrics. That’s exactly what Proof states about their complementary talent:

We were both impressed with each other. The advantage I’ve got over Em is freestyling; I’m the kind of guy who freestyles off the head, right? The advantage he had over me was that he knew how to write intricately; he knew how to put a song together and bring feelings about. That’s why I journeyed under him, like, “Yo, show me the ropes, homeboy.”

The idea of the D12 group composed of talented MCs and sick aliases with popped into Proof’s mind:

I was in New York; I had this deal with Tommy Boy that didn’t work out, unfortunately. But I just had this idea that we could put together a team of dope MCs, put a lot of Detroit on as far as having MCs with skills. Everybody’s solo took so we’ll make aliases, like Eminem’s Slim Shady and I’m Derty Harry, and call it the Dirty Dozen — and at this time, to be honest with you, we thought The Dirty Dozen was a Western movie; we didn’t know it was an army movie [laughs].

That fits us, army rather than Western, ’cause we see ourselves more as gun-slingers, lyric-slingers. Then the idea was to form a pact whereas this team, whoever gets out first comes back and gets the rest of the group.

Proof has always been confident in Eminem’s loyalty, even if some other members of the group may have been worried:

Not me; I’ve been there since day one, almost. I think the rest of the group may not have been there, but Proof has been beside Eminem all this time. I play a leadership role in the group, where I talk to everyone else; Em is like the president, and I’m the general. I talk to the rest of the fellas and put ’em in line and show ’em the direction. It’s a family, too, so there’ll be a lot of fighting and bickering, and some people might have felt it might not be the way it should be. So, yes, there were times when people felt funny about things. But now everybody thinks back to that, and we were tripping out over nothing.

Acccording to Proof, Eminem’s success was the best thing that could have happened to D12:

Right. Some people look at us like, “You’re gonna be Eminem’s group. You’re gonna be in his shadow.” They don’t realize how positive and great that is to hear; if you’re in the shadow of a guy who can sell almost 10 million records in just the states alone, great. That’s not a dis to us. But when they hear the album, they hear the individuality of each person, how everybody holds their own.

It is so true that each D12 emcee has his own talent and ability to rap.

It is less known that Proof’s first stage name was ‘Maximum’. Proof has always been appreciated in Detroit for his raps and his freestyling qualities. He changed his nickname when people started calling him ‘Living Proof’, because in many people’s minds, Proof was the ‘living proof of the living MCs in Detroit’.

Proof has collaborated and still collaborates with numerous artists such as Dogmatic. Proof’s first released Cd was called ‘From Death’ and was co-produced with Da Goon Squad. He has released a CD called ‘Promatic’ with Dogmatic and a six Track solo EP called ‘The Search For Jerry Garcia’.

As well as for Eminem, Detroit has been very influencial to Proof who describes his hometown as ‘the type of place where eye contact can get you killed’ and also as ‘a city where the sun never shines, full of pot holes, snow and con artists ready to jack everything you got’.

Many Started Web Logs for Fun, but Bloggers Need Money, Too

Interesting story in the New York Times on the future of blogging, and how much money people might be able to make from it. As for myself the donations total since I started this weblog stands at €0. That’s in 2 years of blogging. And paying almost €20 a month for my server means that I am down a not insignifcant sum each year.


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